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A fascinating history of the piano explored through 100 pieces chosen by one of the UK’s most renowned concert pianists
An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre—from classical to jazz and light music.
Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer’s perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.
通过由英国最著名的音乐会钢琴家之一选择的 100 件作品探索钢琴的迷人历史
钢琴是一种用途广泛的乐器，只需要两只手就可以演奏非常复杂和微妙的音乐。 200 多年来，它已将独奏和协作音乐带入家庭和音乐厅，并激发了从古典音乐到爵士乐和轻音乐等各种音乐流派的作曲家。
钢琴家兼作家苏珊·托姆斯 (Susan Tomes) 描绘了钢琴从 18 世纪晚期到现在的发展历程，带领读者踏上一段个人旅程，了解 100 首作品，包括独奏作品、室内乐、协奏曲和爵士乐。她的选择包括巴赫、莫扎特、贝多芬、罗伯特·舒曼、柴可夫斯基、德彪西、格什温和菲利普·格拉斯等作曲家。从现代表演者的角度来看这段历史，她承认被忽视的女性作曲家和演奏者包括范妮·门德尔松、玛丽亚·希曼诺夫斯卡、克拉拉·舒曼和艾米·比奇。
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