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An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational music studies. Utilizing insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, it examines and models methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several “key issues” to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration.
This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally.
研究音乐在宗教团体中的作用已成为一项越来越复杂的工作。不同会众之间音乐风格和内容的显着差异需要一种跨学科的方法来进行准确的分析,同时也允许解释上的细微差别。本书是第一本书,通过批判性地审查该领域领先学者使用的理论和方法,帮助学者们思考关于会众音乐制作的跨学科研究的复杂性。
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